Lev Manovich

What kind of cinema is appropriate for the age of Google and blogging? Automatic surveillance and self-guided missiles? Consumer profiling and CNN? To investigate answers to this question Lev Manovich - one of today’s most influential thinkers in the fields of media arts and digital culture – has paired with award-winning new media artist and designer Andreas Kratky to create the Soft Cinema project. They have also invited contributions from leaders in other cultural fields: DJ Spooky, Scanner, George Lewis and Jóhann Jóhannsson (music), servo and Andreas Angelidakis (architecture), Schoenerwissen/Office for Computational Design (data visualization), and Ross Cooper Studios (media design).

Lev Manovich is an author of books on new media theory, professor in Computer Science program at City University of New York, Graduate Center, U.S. and visiting professor European Graduate School in Saas-Fee, Switzerland. Manovich research and teaching focuses on digital humanities, new media art and theory, and software studies^[1] His best known book is The Language of New Media, which has been widely reviewed and translated into eight languages.

Manovich's 8 definitions of "new media" (2001)

1. New Media versus Cyberculture
2. New Media as Computer Technology Used as a Distribution Platform
3. New Media as Digital Data Controlled by Software
4. New Media as the Mix Between Existing Cultural Conventions and the Conventions of Software
5. New Media as the Aesthetics that Accompanies the Early Stage of Every New Modern Media and Communication Technology
6. New Media as Faster Execution of Algorithms Previously Executed Manually or through Other Technologies
7. New Media as the Encoding of Modernist Avant-Garde; New Media as Metamedia
8. New Media as Parallel Articulation of Similar Ideas in Post-WWII Art and Modern Computing

Look, A Real Life Lichtenstein!!

Look, A Real Life Warhol!!

Wayne White

The documentary about this artist 'Beauty Is Embarrassing' is a treat! Check it out on Netflix or download it for free. Cheers!

http://en.wikipedia.org/wiki/Wayne_White_%28artist%29

P.A.M. 2013

Outside the Portland Art Museum, April 2013.

From Portland, Sculptor, painter, and sketch artist, Mel Katz's work challenges what can be seen as 2d sculpture. Often flat from the front, and flat from the back, his work is playful, muscular, and almost always contradicting. Follow this link for a video on the artist and his process: Mel Katz

Killer Creature

Poster's made for the band Killer Creature, Richland, WA ( current up to April, 2013 )

Visit the Website for Killer Creature

The Emerald of Siam in Richland, WA, wants to recruit you!

Poster's made for the Emerald of Siam, 2013, shows still pending!! 

Below are some event posters I have made for the Humanities Club @ Washington State University Tri-Cities, during the Fall '12 - Spring '13 school year.

Protest Event at WSUTC

These are images of a protest event held at Washington State University Tri-Cities, hosted and organized by myself, and the Humanities Club @ WSUTC

Whimsical, riveting, humorous, logical, and otherwise..all inputs were welcome.

The Cabaret Voltaire

http://youtu.be/fkl92oV1kMc

A Very Cool Art Project

Fifty-Five Honey Locust Trees,

There are a group of Chinese Elms in eastern Colorado that I think frequently of. They grow at the former site of the Amache Internment Camp. My grandmother told me that when they arrived at Amache, the land was barren and empty, and that those interned in the camp had planted the trees that now stood. Knowing this, when you look at the trees you see the history of the place and the people who were once there. But the trees have no plaques. And if you don't know this, they are just trees in a landscape.

The day after Sandy hit New York City I rode my bike with some friends through downtown Manhattan to look at the aftermath of the storm. After biking over the Brooklyn Bridge we made a brief stop at Zuccotti Park. During the previous months I had been collecting the fallen seed pods from the fifty-five Honey Locust Trees that decorate the park. The storm had brought down most of the pods that were still hanging on the trees.

To germinate a Honey Locust seed you have to mimic the digestive process of an animal. This can be done using hot water or sandpaper. The tree has co-evolved with animals for the dispersal of its seeds. An animal eats the pod (which is also edible to humans). The outer layer of the seed is broken down in the animal's stomach and intestines. The seed is defecated on the ground. A tree grows.

I am thinking about the temporality of a tree. And the tree as something present, as able to bear witness (fifty-five Honey Locusts bearing witness). The slowness of their pace is not subject to the world of the instantaneous and the immediate that we live in. Their rhythms are seasonal, following the sun. These trees can live up to 150 years, longer than any of our lives, but relatively short compared to other trees. When an #OWS hashtag is no longer trending, they will continue to grow slowly in time.

At the Clocktower Gallery I have begun to germinate the seeds, and to take care of the little trees. At the end of the residency the trees will be taken to Franklin Street Works in Stamford, Connecticut, by a Metro North train from Grand Central. Each tree will be carried by one person. They will first be carried to Zuccotti Park to see their parents, and then to Grand Central (contact the Clocktower Gallery if you would like to carry a tree). In Connecticut they will continue to grow during Franklin Street Works' summer exhibition. In the future, when they are ready to be put into the ground, they will be donated to various organizations and individuals.

I imagine 150 seasons for these trees. 150 times their leaves turning a golden hue. And those who will witness this.

Fifty-five Honey Locusts bearing witness. And their seeds. The trees will be planted without plaques. 


http://artonair.org/residency/david-horvitz-fifty-five-honey-locust-trees